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Skip to content Home. Search for:. Description: Dedication to Misashi Kishimoto. Original track from the movie Blood Prison affiliated with the Naruto Shippuden anime. You did a great job.. And I like the prompt way you replied to my order. After I spend a while playing with these songs, I will need to try some of your other products.
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Blue Bossa Remastered. Barney Kessel - Jazz guitar improvisation : progressive concepts. Wes Montgomery West Coast Blues Chet Baker - Just friends. Have You Met Miss Jones. The Girl From Ipanema Remastered. Miles Davis Quintet - Solar. John Coltrane - Mr. Hi there! Can I show you something cool that I'm working on?
We have an amazing free newsletter that we send to your inbox every other week. Your subscription could not be saved. Please try again. Your subscription has been successful. Here the chord progression modulates to Db major. In this version of Blue Bossa, I arranged the melody the way you would play it in a jazz trio by adding chords to the melody.
The best way to learn arpeggios is:. The following arpeggio study over Blue Bossa will help you on your way. I play the arpeggios continuously up and down the strings and stay in one position. These studies are not meant to sound good, but they are a good way to master arpeggios so you can use them in a more creative and musical way in your solos.
Playing substitutions gives you a richer sound compared to playing the vanilla arpeggios, something that is almost always desirable. Make yourself accustomed to playing chord substitutions instead of the plain chords. One of the most common non-swing rhythms that jazz guitarists explore is the bossa nova groove. While many of us learn to play Brazilian jazz tunes in our practice routine, learning how to play an authentic bossa or samba groove on the guitar can be tricky.
Here are short descriptions for each of the chord and bossa concepts covered in the chord study below so that you can understand the building blocks of this exercise. This type of half-step movement on top of chords is commonly found in the playing of many Brazilian guitarists. Maj9 Chords — This is a softer version of the maj7 chords that many jazz guitarists prefer to use for their Imaj7 and IVmaj7 chord voicings.
When adding this chord into your playing, you can play the m11b5 to the m7b5, or vice-versa, in order to create some melodic movement on top of the chord changes. Bossa Bassline — During the chord study you will notice that the thumb plays bass notes on 1 and 3 of each bar, mostly the root note but sometimes the 5 th or a chromatic note can be added in to create movement as well.
When playing these bass notes, you should accent the 3 rd beat in order to create a more authentic Brazilian feel with this chord study. This anticipated chord movement is common in Brazilian music, and it will be one of the hardest parts of learning this chord study, or any Brazilian tune on the guitar.
So, take your time, isolate these moments and work them on their own before going back and trying to work the study as a whole.
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